Instead of writing out a series of notes or chords together for what might be a long duration, the player is simply instructed, via a tie and the abbreviated ‘l.v.’ text, to let the note(s) ring out for as long as they would sound. indications such as the one pictured above, are common notation practice. Also available with orchestral accompaniment.Laissez vibrer allow to sound, do not damp. Song composed in 1911, allegedly based on a much earlier original. Two short pieces from 1890–91, revised heavily in 1911. Nos 4 and 5 especially popular and several of the songs are available in alternative versions. On hanget korkeat, nietokset (text: Joukahainen) Giv mig ej glans, ej guld, ej prakt (text: Topelius)ĥ. Nu står jul vid snöig port (text: Topelius)Ĥ. A significant number of these compositions will ultimately be published by Breitkopf & Härtel.ġ. Many of these works are now known by JS numbers, referring to the alphabetical list of Jean Sibelius’s compositions without opus number used in Dahlström’s above-mentioned catalogue. In 1982 the Sibelius family donated a major collection of manuscripts to Helsinki University Library (HUL, now the National Library of Finland). A full description of the development of Sibelius’s opus numbers is found in Fabian Dahlström’s Jean Sibelius: Thematisch-bibliographisches Verzeichnis seiner Werke (Breitkopf & Härtel 2003, pp.680–692). Not until 1903 did his works start to be published with opus numbers, and only from 1930–31 onwards can the numbering be regarded as definitive. The composer first produced a numbered list of works in 1896, and a list of opus numbers the following year, but many of these numbers were later changed. The opus numbering of Sibelius’s works contains many inconsistencies and illogicalities. The links on this page lead to fuller descriptions of the works listed (members only).
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